Kerrang!

click for largerI can't tell you what this magazine article meant to me. When I was a kid trying really hard to become a "rock star," Kerrang! was my bible. Seriously. I waited for each and every issue as if my life depended on it.

Well, my band Primal Scream NYC was doing pretty well and I wasn't too surprised when Kerrang! called. Howard Johnson was the "journo." We'd been reviewed in the magazine a few issues prior, and while it wasn't a glowing review, it was very promising. So, they called me one day and I stammered my way through an interview. One of click for largerthe first of what would  turn out to be many.

Time goes by and I forgot about the interview, believe it or not. The usual Friday comes and I find myself at Zig Zag Records in Brooklyn picking up the latest issue. Sit on the curb as I usually did and start to dig into the Judas Priest article. Turn the page and holy crap, there we are! I lost it. I hope to have the Kerrang! article transcribed soon, but you can read the scanned pages below.

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That same year we also appeared in Chuck Eddy's Stairway to Hell: The 500 Best Heavy Metal Albums In The Universe. It's a goof, of cick for largercourse, but funny. Click the image at the left to read the larger version.

The picture below is of Lara (her name and band's name) and myself. I included it on this page just because I dig the photo. Lara was an extremely cool project. Intense, ethereal and progressive music. It included acoustic and out-of-phase electric guitars, fretless bass, drums with no cymbals and female backing vocals. We gigged at places like the Limelight and the Cat Club. That picture was taken at the Rodeo Bar where we were playing acoustic, just her and I. We were together about two years or so and despite our manager's best efforts just couldn't make much headway with the assholes in the record industry. A shame really.

The final image on the page is a scan of the Primal Scream record cover. Most people don't believe me when I tell them I released a recording under that name because there is another band (still active) under that name and they are a hell of a lot more well-known than we ever were. My group was first to release a recording in the states. Had I registered the trademark I probably would have made a little bit of money.

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