"Carp" is similar sounding to the word "business" in Chinese. It is also homophonic with "profit" or "advantage" whilst "fish" is homophonic to "surplus" or "wealth". Paintings featuring Koi Carp are therefore considered symbolic of good fortune in business or academic life. The Carp is also considered a symbol of endurance and perseverance, and is said to be able to progress along the mighty rapids of the Yellow River leaving all other fish behind. Comparisons are drawn with businessmen seeking advantage over their competitors. Carp, according to ancient belief could transform themselves into dragons when they reached 100 years old."

Session #5Pre-Fifth Session. July 11 2003. 8:45AM.
All I can
say is, about time. It's been five or six weeks since the last session and I am beyond itching to get cracking on this again.

Pre-Fifth Session. July 11 2003. 12:00PM.
Ah ha! The koi itself is now complete. Yes. Very, very cool. The head was the last bit left and now it's done. It's a pretty good feeling. 15 hours thus far and 15 or more to go. We added much more water and finally hit it with some different shades of blue and white. We'll darken the water up a little at a later date.

Let me tell you, after the first hour or so of shading the head, the water outline was excruciating and it only lasted 10 minutes. After the outline, going back to shading felt damn good. Not to dwell too much on the pain because the end result is more than well worth it. I am very, very happy with this project.

The koi on it's own is pretty damn well done but I get jazzed when I consider that we still have to add the background elements. The background will add to the story, scale and impact. One solid piece across my entire back.

From: Sunlight (ms.sunlight@ntlworld.no-way-baby.com):
"
Hmm, thinking about it there was a koi pond at my college with big fat mature koi in it.
Those fish managed to look vacant, accusing and dangerous all at the same time.
Evil bastards."


Fifth Session. 7/11/03  Fifth Session. 7/11/03

One day, Chris asked me "how long have you been thinking about a Koi backpiece?" I responded "forever." Looking back, that was a mis-statement. While I have been thinking about a backpiece for many years, I never once nailed down what I wanted. I never even really thought about it. I just knew I needed something there.

One day, seriously, I just woke up and knew the Koi was what I wanted. I guess it ties into the fact that I've immersed myself in Asian arts over the past 5 years. I spent some time at Zen Mountain Monastery doing a Buddhist retreat and that opened my eyes to all sorts of artistic endeavors. Ikebana, Budo, Taiko, Ukiyo-e, Japanese gardening and even Nawa Shibari. Well, the Shibari influence came from other quarters, but still.

I've spent most of my adult life studying and appreciating Nordic culture and find many parallels between the two. Love of wood, love of the out-of-doors, the fishing industry...

So there.

Click For LargerEveryone's a damned comedian, huh?
Thanks Ron!

Session #6Pre-Sixth Session. July 25 2003. 4:00PM.
Just back from the beach. God I love it. My skin is salt water tight, I'm tanned and feeling great. Looking forward to a nice cool shower and some sandalwood soap. Tea tree shampoo and I'm set. We'll see what we add to the tattoo tonight. Getting there. I can't wait to just be able to say "thank you" when someone compliments the piece instead of "wait 'till it's done."

Post-Sixth Session. July 25 2003. 10:15PM.
A quick two hour session tonight. Nothing new really, just fleshing out the water all around the koi. Did some cool touches with the water at the base of my spine. Added a lot of depth.That felt like it went on forever. We talked a little bit about where we'll place the maple leaves and the wind swirls. I'm looking forward to seeing the green of the bamboo.

I don't think I've mentioned this before, but everything except the koi itself has been done freehand. There is a misconception about the word "freehand" in the tattoo world. Some people think it means the artist uses the machine and just wings it. That's not true. The artist uses a marker to draw the piece first and then inks it in. Tonight, as Chris was drawing the water on my back, it struck me how important it is that the artist can draw. Sounds obvious, I know. But I mean really draw.

Watching the piece unfold is fascinating. It's a truly organic process. I think you really, really need to trust your artist because there is no final picture and no definite placements. You need to be comfortable with not only their ability to tattoo but their ability to conceive of the entire piece and make it happen.
To bring it to life.

  Sixth Session. 7/25/03

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photos: KariAnne